Odd, obscure, historic, humorous, random and/or relevant items from the archives of the Duluth News Tribune. Duluth News Tribune and Herald file photos are copyright Duluth News Tribune; direct questions to akrueger(at)duluthnews.com.
Bobby Aro sings a ballad at Elde’s Supper Club, located between Duluth and Esko, on Aug. 5, 1984. (Bob King / News-Tribune & Herald)
Bobby Aro: Old-time music like they love it
By Bob Ashenmacher, News-Tribune & Herald
Old-time music has a friend in Bobby Aro.
He recorded his biggest personal hit, for instance, in his sauna. The song was “Highway No. 7.” Aro claims it has sold a million copies in the 26 years since he wrote and recorded it in the soundproof building in his backyard.
He has the last surviving polka radio program in the Twin Ports, “Bobby Aro’s Old-Time Dance Party” at 5 p.m. Saturdays on WDSM-AM 710. He also helps out host Pentti Mahonen with “The Finnish American Program” at 9:45 a.m. Sundays on WEVE-AM 1300 in Eveleth. And he’s a country music deejay on Virginia’s WHLB-AM 1400 from 1 p.m. to 2 p.m. weekdays and 8 a.m. to 11 a.m. Saturdays.
He’s probably best known as a live performer. He and his band the Ranch-Aros play regularly throughout northern Minnesota and Wisconsin. They perform Sunday nights at Elde’s Supper Club at 9949 W. Old Highway 61.
Not surprisingly, this region’s Finnish-Americans and loves of old-time dance music love him. He sprinkles Finnish in the midst of English-language songs, in a hybrid he calls “Finn-glish.”
“I play this kind of junk because I like it,” he said during a break at Elde’s last Sunday night. “I don’t get into the ‘thickness’ of it.” Meaning, the self-consciously “ethnic” aspects of it. “The lines between people, like blacks and whites, are dissolving. That’s the way I’ve always felt music should be too. Besides, we play a little of everything. Whatever gets people dancing.”
Bobby Aro performs at Elde’s Supper Club on Aug. 5, 1984. (Bob King / News-Tribune & Herald)
He’s a lively performer for his age, which he says with a sidelong glance is “50-ish.” At Elde’s, he opened with “Tiny Bubbles” and sung part of it in Hawaiian (one of six languages he uses in the act, including Slovenian, Polish, German and Finnish).
His vocal style is Dean Martin-like in the way he slurs his diction slightly and sidles up next to a note before hitting it properly. His range is surprising; he hit high notes in the vintage rocker “Chantilly Lace” easily and clearly, before swooping down in a gravelly growl for the “Oh baby that’s a-what I like!” line. People jitterbugged and twisted to that one.
The diversity of the material was surprising, even for a performer who could be called a “variety” music act. “Cheryl Moana Marie.” “Cab Driver.” “Okie From Muskogee.” “Rollin’ In My Sweet Baby’s Arms,” complete with an “ee yi ee yi yo!” call and response with the audience. “Have You Ever Been Lonely,” with the final “have you ever been blue” refrain changed to “did you vote for Ben Boo?” He cackled then, the high “Heh! Heh! Heh!” that serves as his laugh. A bit of scat singing to “Won’t You Come Home, Bill Bailey.” A spritely schottische here. A couple polkas there. A waltz arrangement of “Que Sera Sera.” To stop one song he shouted “Hi-yo Silver, away!”
He’s a master of the medley.
“This one’s for Patty Chmielewski,” he said, “wherever she may be.” He leaped into “I’ve Got A Polish Girlfriend.” Then: “This one’s for your governor,” and segued into “Moja Dekla.” Then: “This one’s for Rudy Miskulin, wherever he may be,” and it was into “Ya Sam Majko.”
Couples dance to the music of Bobby Aro at Elde’s Supper Club near Duluth on Aug. 5, 1984. (Bob King / News-Tribune & Herald)
The crowd at Elde’s was full of loyal “regulars” that come from as far away as Two Harbors and Nashwauk. It’s a convivial atmosphere, made even more pleasant by the free appetizers served during Aro’s break. This night, it was corn on the cob. And owners Earl and Darlene Elde make sure pots of coffee appear on tables before closing time.
“We’ve come here every night since Bobby started here,” said Helen Olsen of Barnum. “It’s the best exercise we can get.”
“If you can’t dance to Bobby’s music, you can’t dance,” said her husband Harold. “Besides, if you don’t come here you got nothing else to talk about all week.”
“There’s lots of romances that have blossomed here,” said Mary Johnson of Hibbing. “See that woman in the red blouse? She just found herself a boyfriend here two weeks ago and now they’re dancing together.”
Bobby Aro (right) gets help in broadcasting his “Old-Time Dance Party” from disc jockey Tim Michaels at radio station WDSM-AM 710 in June 1984. It was the last surviving polka radio program in the Northland at that time. (John Rott / News-Tribune & Herald)
Aro was trying a Julio Iglesias-like accent on “To All The Girls I’ve Loved Before.”
“Sure I try the new stuff.” he said later. “You have to keep current. We play dances, clubs, weddings – anybody that’s got $5 keeps you going. That, and because I don’t know nothing else.”
He was born in Leonidas, a village outside Eveleth. His earliest musical memories are of his grandfather playing violin and coronet and leading a band that a steel company had organized for its workers. The boy learned violin at an early age. Later came guitar, keyboards and drums. He left to attend radio school in Chicago and worked in Texas shortly after World War II.
“That’s where I got onto country music,” he said. “They were big on that Western Swing. I’m still a country music deejay, really. I’ve been preaching that stuff since it was called hillbilly music. You know how it changed into what it is today? Eddie Arnold and Ray Price made it palatable to everybody. Now you know what it’s come to? They’ve gone too far. People like Dolly (Parton) and Kenny Rogers – that’s not even country music. I don’t ever play that. I play the old stuff and people love it. But then, if a guy’s banging on a garbage can, I don’t knock him. Music is a tough way to make a living.”
Arvo Koponen and Elizabeth Palo of Cotton take a break from dancing to enjoy the performance of the Ranch-Aros at Elde’s Supper Club near Duluth in August 1984. (Bob King / News-Tribune & Herald)
He worked in radio, early television and nightclubs in Chicago before returning to northern Minnesota to work for the old Arrowhead Radio Network. He’s spent the last three decades at several Iron Range radio stations and makes his home in Zim. Today the Ranch-Aros are made up of his sons Casey of Zim on guitar and Mike of Eveleth on drums.
“I introduce them as my brothers because we’re all looking at the same girls,” Aro said. “Uh heh! Heh! Heh!”
His proudest professional moment came three years ago, when he did a concert in Finland. Unknown to him, he was something of a cult figure in that country because of his four “Finn-glish” albums. They love his numbers like “Kapakka in the Kaupunki,” “Suomalainen Gals” and “Donald Maki Song.” The latter is a remake of “Old MacDonald.”
“This won’t buy me a cup of coffee here, but I’ve got front pages of newspapers and magazines from over there with my name all over them. They were askin’ for songs of mine that I didn’t even remember, so I had them sing it to me. What a feeling, hey?”
Yet he doesn’t plan to return.
“I’ve got a winning streak going,” he said. “I don’t want to go back and ruin it.”
For the future, he’ll continue his radio and live performing. Maybe lead a few tour groups to Nashville, as he has in the past.
“I clipped a little thing out of the paper once,” he said. “It was in the gossip column, you know, where stars are doing this and that. Rod Steiger said, ‘The truth of success is longevity.’ I like that one. I had it in my wallet for a long time.”
Couples trot out a schottische to the music of Bobby Aro and his Ranch-Aros at Elde’s Supper Club near Duluth on Aug. 5, 1984. (Bob King / News-Tribune & Herald)
Here are a couple of YouTube videos with music by Bobby Aro:
Bobby Aro suffered a heart attack during a performance in Mountain Iron in December 1988; he underwent triple-bypass surgery and returned to the stage and radio several months later. Here are a couple photos that ran with a story in the News-Tribune in October 1989:
Bobby Aro makes a selection for his WDSM-AM radio show from a stack of records he keeps close at hand on Oct. 2, 1989. (Steve Stearns / News-Tribune)
Bobby Aro at the microphone during a break in his WDSM-AM 710 radio show in October 1989. (Steve Stearns / News-Tribune)
Bobby Aro died on Jan. 19, 1996 at age 69.
WDSE-TV, PBS Channel 8 in Duluth, created a documentary on Bobby Aro that will be airing on Sunday, June 1 at 7 p.m., and again on Thursday, June 5 at 8 p.m.
Do you remember watching or listening to Bobby Aro? Share your memories by posting a comment.
A copy of the poster for the Winter Dance Party concert that was held on Jan. 31, 1959, from an ad in the Duluth News Tribune at the time. (News Tribune file image)
Before it died, the music lived in Duluth.
Fifty-five years ago today (Jan. 31), on a cold Saturday night in 1959, the Winter Dance Party tour featuring Buddy Holly, J.P. “The Big Bopper” Richardson and Ritchie Valens played the Duluth Armory.
Two nights later, they were gone, the victims of a plane crash in a snowy Iowa cornfield.
“This was the biggest teenage music show we’d ever had at the Armory. Kids were there dancing; kids were there in front of the stage just watching. And as everyone knows, we found out later Bob Dylan was there from Hibbing,” the late Lew Latto, local promoter and master of ceremonies for that show, told the News Tribune in 2009. “When I read in the newspaper … that these guys were gone in a plane crash, I was shocked like everyone else. Buddy Holly would’ve continued to be a dominant force in the music business — but just like that, he was gone.”
Waylon Jennings, Buddy Holly and Tommy Allsup perform during the Winter Dance Party concert at the Duluth Armory on Jan. 31, 1959. (Photo by Colleen Bowen)
The text above is taken from a story written by the News Tribune’s Kevin Pates for the 50th anniversary of the concert and the subsequent crash, Here’s the full story from Jan. 25, 2009:
BEFORE THE MUSIC DIED, IT LIVED IN DULUTH
Kevin Pates, Duluth News Tribune
The one wish Lew Latto has from that cold Saturday night in 1959 is that he’d had a camera. He took no pictures at the Duluth Armory on Jan. 31 as a troupe of rock ’n’ roll entertainers put on a Winter Dance Party show for about 2,000 fans — a performance that takes a place of honor in Duluth entertainment lore.
Latto, then a 19-year-old University of Minnesota Duluth freshman, was the local promoter and master of ceremonies. He had no way of knowing history was right around the corner.
The Day the Music Died was 48 hours away for Buddy Holly , 22, of Lubbock, Texas; J.P. “The Big Bopper” Richardson, 28, of Beaumont, Texas; and Ritchie Valens, 17, of Pacoima, Calif.
“This was the biggest teenage music show we’d ever had at the Armory. Kids were there dancing; kids were there in front of the stage just watching. And as everyone knows, we found out later Bob Dylan was there from Hibbing,” Latto, 69, said recently from his winter home in Hallandale Beach, Fla. “I spent most of the time on the side of the stage and had the chance to talk quite a bit with Ritchie Valens.
“When I read in the newspaper three days later that these guys were gone in a plane crash, I was shocked like everyone else. Buddy Holly would’ve continued to be a dominant force in the music business — but just like that, he was gone.”
Fifty years ago, on Feb. 2, 1959, the Winter Dance Party reached the Surf Ballroom in Clear Lake, Iowa, where 1,300 youngsters showed up. It was the 11th stop on a tour that began Jan. 23 in Milwaukee and had become a tedious, bitterly frigid bus excursion. Holly rented a plane to get to the next destination, 440 miles away for a concert the next day in Moorhead, Minn. They were to land in Fargo, N.D.
Just after midnight on Feb. 3, Holly, Richardson, Valens and pilot Roger Peterson, 21, boarded a 12-year-old single-engine, four-seat Beechcraft Bonanza at an airport in nearby Mason City, Iowa. Peterson, a rookie, wasn’t given weather advisories about a band of snow moving southeast through Minnesota and North Dakota. The plane flew two minutes before crashing into a cornfield eight miles from the Surf Ballroom. Everyone aboard was killed.
The Duluth Armory, built on London Road in 1915, decommissioned and given to the city in 1978 and now mothballed in hopes of renovation, is no longer a performance venue. But the building will be the site of a 50th anniversary Winter Dance Party gathering for about a half-hour starting at noon Saturday. Fans will be able to look into the Armory but not go inside, said Susan Phillips, president of the nonprofit Armory Arts and Music Center. The entrance is at 13th Avenue East and Jefferson Street.
Buddy Holly performing at the Duluth Armory as part of the Winter Dance Party tour, Jan. 31, 1959. (Photo courtesy of Sharon Johnson)
Dan Heikkinen, 40, of Cloquet is a Buddy Hollyphile. He grew up a Beatles fan and then heard that his favorite band was influenced by Holly and his group, The Crickets. The Beatles sang “Peggy Sue,” “Maybe Baby,” “Think It Over,” “That’ll Be The Day,” “It’s So Easy,” “Raining In My Heart,” “Reminiscing,” “Crying, Waiting, Hoping” and “Everyday,” and recorded “Words of Love.”
Heikkinen had a new favorite band and has since become a Holly historian. He’s helped organize re-creations of the Winter Dance Party in Duluth in the past decade, helps select a Winter Dance Party Scholarship winner for a Minnesota high school student with a musical background, and almost never misses the annual Winter Dance Party celebration at the Surf Ballroom. He’ll drive the 290 miles there this week with his brother, Scott Heikkinen, 51, of Hermantown and brother-in-law, Terry Purcell, 56, of Esko.
“I read biographies about Buddy and then went and bought some of his music at the old Carlson Books and Records [in Duluth],” said Heikkinen, store manager at Super One in Two Harbors. “I put those records on at home and thought: ‘This guy is fantastic.’ He was ahead of his time. To know that he played right here, in Duluth, well that’s a pretty big deal.
“Going to the Surf is like being in a time machine. It’s like walking back into the 1950s with people wearing poodle skirts and letter jackets. It’s an amazing place.”
Latto was hired at WDSM Radio in 1958 after his senior year at Duluth Denfeld. He played the Top 40 format of the day from 4-6 p.m., labeling it the Nifty 50. As a young entrepreneur, he fronted music shows at the Armory, including acts like Gene Vincent and Brenda Lee, and a Summer Dance Party stop on July 11, 1958, when Holly first played in town and stayed overnight at the Hotel Duluth.
For the Jan. 31, 1959, show at the Armory, Latto put posters up in music stores like Mickey’s Melody Lane at Third Avenue West and First Street. Fans paid $1.25 to $2 that night and General Artists Corp., a rag-tag outfit that booked the tour, was promised $1,000 or 50 percent of the gross receipts. Because of the large crowd, Latto estimates the payout for the performers was about $2,000, while he split his half with the National Guard.
A bus carrying the approximately 12-person group traveled 370 miles from Fort Dodge, Iowa, after a Jan. 30 concert, arriving in Duluth just before the 9 p.m. performance. The bus left shortly after the dance ended at midnight. Also on the tour were singer Frankie Sardo and Dion and the Belmonts, and musicians including guitarists Waylon Jennings and Tommy Allsup.
“Compared to some acts, Holly and his group had a refined presentation. Everyone was dressed in sport jackets and acted like gentlemen,” said Latto, now an owner of radio stations in Eveleth and Grand Rapids, and still employed by WDSM as a freelance talk show host, on weekdays from 7-9 a.m.
Latto has great memories from 1959, just no memorabilia. In the past two years, a Los Angeles entrepreneur offered $20,000 for a promotional poster from the Duluth performance, but Latto says there are none as far as he knows. They were discarded after the dance.
Photos, however, have surfaced from that night — black-and-white shots taken by teenagers Sharon Johnson and Colleen Bowen, which can be viewed at www.buddyhollyonline.com.
The Winter Dance Party moved to Green Bay on Feb. 1, ultimately by train after difficulty with its school bus because of wind-chill temperatures of 40 below zero. Then it was on to Clear Lake and a meeting with destiny.
— end —
J.P. “The Big Bopper” Richardson performing at the Duluth Armory as part of the Winter Dance Party tour, Jan. 31, 1959. (Photo courtesy of Sharon Johnson)
The News Tribune’s Kevin Pates also wrote a story about the event on Jan. 30, 1999, for the 40th anniversary:
RELIVING THE LEGEND
Kevin Pates, News Tribune
Three days after leaving Duluth, Buddy Holly and three others boarded a plane after midnight in Mason City, Iowa.
Holly, 22, had chartered a flight to Fargo, N.D., for the next stop of the 1959 Winter Dance Party: Moorhead, Minn. Also on the single-engine, four-seat Beechcraft Bonanza were entertainers J.P. (the Big Bopper) Richardson, 28; Ritchie Valens, 17; and pilot Roger Peterson, 21.
Peterson wasn’t given weather advisories about a band of snow moving southeast through Minnesota and North Dakota on Feb. 3, 1959. The plane flew two minutes before crashing into a cornfield. Everyone aboard was killed.
Rock ‘n’ roll’s fatality list had its first superstar.
The news of Holly’s death was a blow to America’s teen-agers, including those in Duluth, where he had performed Jan. 31 at the National Guard Armory on London Road.
“We had a chance to see him, just as he was getting started, and then he was gone. It was like `Oh my God. He was just here.’ It was devastating,” said Yvonne Pavelich, 54, a bartender at Duluth’s Radisson Hotel. She was a 14-year-old Washington Junior High freshman when she attended the Armory dance. “The next day at school the boys wore black armbands and the girls had black ribbons in their hair.”
The Lubbock, Texas, songwriter, who played guitar, sang with a trademark hiccup-style and wore black, horn-rimmed glasses was like no one before him.
In the 40 years since the crash, Holly has become recognized as the founder of the first modern rock band. He was inducted into the Rock ‘n’ Roll Hall of Fame in 1986. His life has been portrayed in a 1978 movie. His face is on a U.S. postage stamp.
On Sunday, the Winter Dance Party will live again, 40 years to the day after it stopped in Duluth. An anniversary tour is hitting 11 towns in 11 days. Because Duluth’s National Guard Armory is no longer a performance site, the party is at the Holiday Inn’s Great Lakes Ballroom.
Niki Sullivan, a member of Holly’s band the Crickets, and Ernie Valens, nephew of Ritchie Valens, will be among those performing here.
John Mueller will portray Holly. He’s played the rock ‘n’ roll legend for the past 4 1/2 years, first in a production called “Be-Bop-A-Lula” and more recently in the play “Buddy.”
“I hope what comes across is the pure joy I get from his very straightforward, innocent music. I try not to make it a caricature and I don’t even like the word impression. I would say my performance is 50 percent me and 50 percent Buddy Holly,” Mueller, 36, said from a tour stop in Montevideo, Minn.
Sullivan has seen many Holly impersonators, but says Mueller is unique.
“John is a clone of Buddy Holly. I’m not kidding,” said Sullivan, who was a pallbearer at Holly’s funeral. “I don’t think I’ve ever gotten over Buddy’s death, but I’m getting a chance to relive my past every time I see John perform.”
Second time in Duluth
In 1959, Lew Latto was a 19-year-old top-40 disc jockey-entrepreneur at Duluth’s WDSM. The University of Minnesota-Duluth freshman acted as booking agent and master of ceremonies for musical acts coming to Duluth.
The Crickets, with Holly, first played the Armory on July 11, 1958, as part of a Summer Dance Party. To finance the Winter Dance Party stop on Jan. 31, 1959, Latto got an advance on his WDSM paycheck.
The largest crowd for any of Latto’s events — about 2,000 — paid $1.75 to $2 that winter night. The package of entertainers, which also had singer Frankie Sardo and Dion and the Belmonts, earned about $1,000.
Teens came to Armory dances to listen to music, meet friends and dance, said Duluth News-Tribune columnist Jim Heffernan, 59, who was at the Winter Dance Party as a UMD sophomore.
“The girls were screaming over Holly and I remember thinking `What has he got? He looks geeky,’ ” said Heffernan.
Holly’s appeal was obvious to some fans, like Hibbing’s Bob Zimmerman, later known as Bob Dylan. He was a 17-year-old high school senior and budding musician when he came to the Winter Dance Party. Dylan has credited Holly with being an influence in his music.
Latto knew Holly was onto something.
“There’s no doubt that had he lived, he would’ve been one of the top rock performers of his era. I look at Holly’s effect on music like what James Dean was to movies,” said Latto, 59, who now owns radio stations in Eveleth and Grand Rapids and has a weekday talk show on WEBC.
Duluthian Darrell Paulson was a drummer in his own group, the Rock and Roll 5. The band was on the same bill with Holly in 1958 at the Armory and Paulson later worked for stars like Gene Vincent, Marty Robbins, Skeeter Davis and Brenda Lee. He met and talked with Holly again, in Canada, while with Vincent.
“I’ve worked with other big shooters, but Holly was very personable, very kind. All of his musicians carried themselves as professionals. They were very concerned about the kind of music they were making,” said Paulson, 60, who still owns two drum sets, and is now in the food sales business.
Ritchie Valens performing at the Duluth Armory as part of the Winter Dance Party tour, Jan. 31, 1959. (Photo courtesy of Sharon Johnson)
Holly’s burning star
Holly’s meteoric rise was just that — a brief three-year recording career. He had three albums and just one No. 1 hit (“That’ll Be the Day” in 1957) before his death.
The band that recorded many of the Crickets’ studio albums was Holly, drummer Jerry Allison, bass player Joe B. Mauldin and rhythm guitar player Sullivan.
Demanding travel and recording schedules, and problems with business manager-producer Norman Petty led to changes in the group.
Sullivan says he never regretted leaving the Crickets in 1957 yet enjoyed his time with the group and its leader.
“Buddy was a good, old Christian boy, who knew what he wanted and how to get it. His burning desire was to be an entertainer and he got there and became a legend,” said Sullivan, 61, who lives in Kansas City, Mo., and still receives royalty checks for his association with the Crickets.
Holly left the Crickets and Petty in 1958. He married and moved to New York to begin a solo career that October.
The final tour
Holly’s motivation was to grow as a rock innovator, producer and artist but he lacked the money. He reluctantly agreed to headline the 1959 Winter Dance Party put together by General Artists Corp.
“More than anything, Buddy went on the tour as a favor to GAC. They felt they needed a bigger attraction, so they really urged Buddy to help them out,” his widow, Maria Elena, said in the 1975 biography “Remembering Buddy.”
Holly needed a new touring band and got Carl Bunch on drums, former Cricket Tommy Allsup on guitar and Lubbock disc jockey Waylon Jennings, 21, on bass.
The GAC tour chartered a bus that proved to be a lemon on the icy, snowy roads of Minnesota, Wisconsin and Iowa. It broke down several times the first week.
The Dance Party began Jan. 23 in Milwaukee and the 11th stop was Feb. 2 in Clear Lake, where 1,300 fans showed up.
Weary from travel, Holly chartered the 12-year-old Beechcraft for a 3 1/2-hour flight to Fargo. Allsup and Jennings were to join him, yet legend has it that an ailing Big Bopper talked Jennings into trading places and Valens won a coin flip for Allsup’s seat.
When the plane didn’t arrive, a search began. When the tour bus reached Moorhead at noon, Allsup was first into the hotel and the news was on the lobby television. The desk clerk relayed the details.
High schooler Bobby Vee, 15, and his band, The Shadows, made their professional debut that night in Moorhead, filling in for Holly. The tour went on, finishing Feb. 15.
The music does matter
Paul Anka had written “It Doesn’t Matter Any More” specifically for Holly. It turned out to be Holly’s last studio track, released Jan. 5, 1959, and ultimately reached No. 13 on the Billboard charts.
Certainly, Holly and his music have mattered. While record sale totals aren’t available, an MCA Records spokesman said Holly’s albums continue to consistently sell well. His records have influenced rockers from the Beatles to Elton John to Linda Ronstadt.
It’s estimated that Holly, Valens and the Big Bopper combined to sell more than 10 million records in the 12 months leading up to the Winter Dance Party.
Dennis Farland, who works for the Maytag Co. in Newton, Iowa, took time off to put the 40th anniversary tour together.
“It’s been far beyond my expectations. It has been phenomenal,” Farland, 54, said from a tour stop in Eau Claire, Wis. “I’m pretty passionate about the music, but even so, I think this is a magical show.”
— end —
Dion and the Belmonts performing at the Duluth Armory as part of the Winter Dance Party tour, Jan. 31, 1959. (Photo courtesy of Sharon Johnson)
As noted above, one of those in attendance at the Duluth Armory show was a young Bobby Zimmerman from Hibbing – later to be known to the world as Bob Dylan. In February 1998, when he won the Grammy for Album of the Year for “Time Out of Mind,” Dylan mentioned the concert in his acceptance speech:
Were you at any of the Winter Dance Party concerts in 1959? Share your memories by posting a comment.
Flames erupt from the upper windows and roof of the Chinese Lantern shortly after 7 a.m. on Jan. 16, 1994 as firefighters pour water into the three-story structure from their hoses and aerial trucks. Twelve units and up to 50 firefighters were at the scene in downtown Duluth. (Dave Ballard / News-Tribune)
Today marks the 20th anniversary of the fire that destroyed the landmark Chinese Lantern restaurant in downtown Duluth. The fire on Jan. 16, 1994, burned “one of the places – like the Aerial Bridge, like Glensheen – that comes to mind when people think of Duluth,” the News Tribune reported the next day.
Here’s a brief excerpt from the fire story that appeared in the Jan. 17 DNT:
“The Chinese Lantern, a landmark supper club popular among Northland residents and visitors for 30 years, caved into a shambles of scorches timbers and ice in little more than three hours early Sunday.
Up to 50 firefighters were called out in 18-below weather at 5:45 a.m., battling a downtown Duluth fire of unknown origin that started in the kitchen and quickly burst through the rooftop in a wall of flames that threatened the lives of a dozen firefighters inside. …
Owner Wing Ying Huie opened the Chinese Lantern in 1964 at the Superior Street level of the Palladio Building, immediately behind the structure that burned. He was following a Huie family tradition of serving authentic Chinese specialties that began when his father, Joe Huie, opened a restaurant near the entrance of Canal Park in the early 1900s.”
Jan. 17, 1994: Workers remove heavy items from the wreckage of the Chinese Lantern a day after a fire destroyed the downtown Duluth restaurant. (Dave Ballard / News-Tribune)
After the fire, the building was repaired and a half-dozen bars and/or restaurants tried to make a go of it at that location: Blue Water Bar & Grill. Bella Vita Ristorante. Champps Americana. Duluth Athletic Club Bar & Grill. Score Sports Bar & Grill. R Bar. None lasted for the long haul.
In late 2011, it was announced that the Minnesota WorkForce Center, Duluth Workforce Development and partner agencies would move into the entire vacant building, ending – for now – any attempts to try yet another restaurant at that location.
Share your memories of the Chinese Lantern – or any other long-gone Duluth restaurant – by posting a comment.
The Spalding was the subject of several previous Attic posts, with a number of old photos. You can find them here, here, here and here.
Local authors and historians Tony Dierckins and Maryanne Norton featured the Spalding in their 2012 book “Lost Duluth.” You can find that information – and much more about Duluth history – at Zenith City Online.
Do you remember the Spalding? Do you have some memorabilia from the old hotel? Share your stories and memories by posting a comment.
The Edmund Fitzgerald in the Twin Ports with the tug Arkansas, circa early 1960s. (News-Tribune file photo)
Other duties at work have kept me from posting many new items to the Attic in recent months, but I have to note that today – Nov. 10, 2013 – is the 38th anniversary of the wreck of the Edmund Fitzgerald in a massive storm on Lake Superior. The freighter’s crew of 29 men, including several from the Northland, died when the ship sank in eastern Lake Superior off Whitefish Point on Nov. 10, 1975; it had been heading from Superior to Detroit with a load of taconite.
A little after 7 p.m. that day, the Fitzgerald was in radio contact with the nearby Arthur M. Anderson, and reported that they were “holding our own” in heavy seas. There was no further contact with the freighter; minutes later the ship had disappeared from radar screens.
I compiled a number of archive photos and other information about the Fitzgerald in 2010, on the 35th anniversary of the wreck. You can view that post here.
Among the items posted there is this well-done video for Gordon Lightfoot’s famous song about the wreck:
Split Rock Lighthouse northeast of Two Harbors will host its annual beacon lighting and memorial service for the victims of the Fitzgerald, and all Great Lakes wrecks, this afternoon. They will toll a bell 29 times for each man who lost his life on the Fitzgerald, and then toll the bell a 30th time for all lost mariners. After that, the lighthouse’s beacon will be lit. It’s the only time each year when visitors can climb to the top of the tower while the beacon is lit and revolving.
The lighthouse will be open from noon to 6 p.m. today; the memorial service is at 4:30 p.m. Admission is $7 per person, free for Minnesota Historical Society members.
Here’s a News Tribune video of the Nov. 10, 2011, memorial ceremony at Split Rock:
Crowds fill Duluth’s Miller Hill Mall during its official grand opening on July 25, 1973. (News Tribune file photo)
As featured on the front page of the Sunday, Aug. 25, 2013 News Tribune, Duluth’s Miller Hill Mall is turning 40 years old this year. The mall opened in stages, with the “official” grand opening in July 1973.
The mall has been featured in a number of past Attic posts, including several with photos from its opening year. Here are links to those posts:
The buffeteria was one of the most popular places in the Montgomery Ward store at the Miller Hill Mall when this photo was taken in July 1973, four months after the store opened. (News Tribune file photo)
David Ericson’s painting of former Duluth Mayor Henry Truelsen
David Ericson’s portrait of former Duluth Mayor Henry Truelsen
The St. Louis Historical Society is currently showing six paintings by David Ericson (1869-1946), a portrait and landscape artist who lived in Duluth. His piece “Skyline” shows the waterfront in 1882 — when Ericson was 13.
This earliest surviving painting by native Duluthian David Ericson (1869-1946), a watercolor of the Duluth “skyline” from the waterfront in 1882, is one of six Ericson works featured in a new exhibit at the Depot.
Hearing about the show reminded me of an interesting story involving Ericson I ran across when I was doing some informal research on my husband’s great-grandfather, Henry Truelsen, who was mayor of Duluth from 1896-1900.
A May 24, 1921, Duluth News Tribune article headlined “Council accepts gift of former mayor’s picture” recounts how a portrait of Truelsen commissioned from Ericson sat in “hiding” for 20 years, according to then-Mayor Sam Snively. Snively is quoted:
“One of my first steps after assuming office was to bring from hiding and have placed in the council chamber the portrait of Henry Truelsen, former mayor of Duluth.”
“The portrait was painted 20 years ago at the request of some of Mr. Truelsen’s friends but was never paid for. It has been in the keeping of J. Johnson, acting in behalf of Mr. Ericson. The portrait was valued at $1,100. Wishing to make a contribution, Mr. Ericson reduced the price to $600.”
Ericson finally got his $600 payment for the painting when Snively undertook his campaign and Thomas A. Merritt of Duluth stepped forward to buy the painting as a gift to the city.
The article goes on: “The painting is encased in a beautifully gilded frame bearing a tablet upon which is engraved: ‘Henry Truelsen, mayor of Duluth, 1896-1900. Through whose untiring efforts Duluth obtained its water and gas plant. Presented to the city by Thomas A. Merritt.’ ”
The engraving’s ever-so-brief mention of Truelsen’s work on the water and gas plant refers to a tumultuous battle led by Truelsen for public ownership of the city’s water supply at a reasonable price. His objection to the purchase price in 1894, while he was president of the Board of Public Works, led to his populist candidacy for Duluth mayor.
Actually, Snively exaggerates a bit the length of time the painting sat while Ericson waited for payment. A News Tribune story from April 11, 1910, announces that Ericson had been commissioned to travel to Zenith, N.D., Truelsen’s new home, to paint the portrait. A committee had been formed and a “subscription list” drawn up to collect money to pay for the painting, but apparently that effort was not successful.
No word on whether Ericson was miffed by the drying up of funding for the painting, but he was quite successful nonetheless.
Ericson, who was born in Sweden, immigrated to the United States with his family and settled in Duluth in 1872 when he was a young child. The family lived on Park Point near the spot where the Aerial Lift Bridge now stands.
"Salting the Sheep" by David Ericson
His talent was recognized early, and his first success was winning a gold medal at the Minnesota State Fair for his painting “Salting the Sheep” when he was 16. He spent time living and painting in Provincetown, Mass., New York City and Paris, studying for a time with well-known painter James McNeill Whistler.
David Ericson in his studio
And Ericson was appreciated as well in his hometown of Duluth, as an Oct. 21, 1924, article observes: “A prophet may never be a prophet in his own country, but occasionally a painter is appreciated by his home town as is evidenced by the unusual interest which Duluthians are taking in Mr. Ericson’s pictures.”
Ericson was a popular lecturer at women’s and educators’ groups around town, with his paintings of scenes from here and abroad proving popular with the hometown crowd.
"Morning of Life" by David Ericson, a painting of Ericson’s young son at a dock on Park Point in Duluth
A Nov. 12, 1961, clipping reports a trip to Duluth by Ericson’s son, David Ericson Jr., who donated 18 of his father’s paintings to the Tweed Museum at UMD. The Tweed featured Ericson’s paintings most recently in 2006 in the show “David Ericson, Always Returning: The Life and Work of a Duluth Cultural Icon.”
By Mary Beamish, DNT copy editor
To learn more about David Ericson on the Minnesota Artists Web site:
To learn more about Henry Truelsen in Minnesota History magazine: